Old-Style Scares: Halloween Films in B&W

normanbates

I’ve already mentioned that Halloween isn’t a big thing here in France, but it continues to be a big thing in my America mind- which explains why I’ve let go of the crutch that is mindlessly watching television shows for the first time (Game of Thrones and Sherlock) and turned to some more spooky stuff.
Not that GoT and Sherlock don’t get kind of… odd.

So creepy black and white films, what have I got? Quite a bit actually.
I’m trying to capitalize on the creepy and supernatural over suspense, because then (knowing me) we would wind up with just a list entirely of Hitchcock films.

But there’s still some Hitchcock:

  • Psycho, 1960: Psycho is fair game because it’s one of the most famous, most impactful horror films of all time. Also, you knew it was on the list because of the header image, so no surprises here.
  • The Birds, 1963: Another granddaddy horror film, but this time with some definite shades of the supernatural. Truly I don’t find this very scary, but it is a magnificent film.

What did I watch yesterday?

  • Death Takes a Holiday, 1934: Spoiler alert, he falls in love. I actually had a very good time with this film- and Henry Travers is in it. ❤

Hey, that was a good book:

  • The Innocents, 1961: The Innocents is based on Henry James’ Turn of the Screw and it definitely captures the novella’s encroaching claustrophobia and uncertainty. Is there evil afoot or is the governess batshit crazy?
  • The Haunting, 1963: Based on Shirley Jackson’s Haunting of Hillhouse, the film isn’t quite true to the book, but it’s fantastic in it’s own unique way. Very atmospheric and spine-tingling. I recommend both.
  • Nosferatu, 1922: The original vampire movie, based on Dracula, the original vampire book.  Even more chilling than the titular villain? A wife calling her husband by his last name.
  • The Uninvited, 1944: Based on a little known book by the same title, this is a beautiful and suspenseful family mystery/ghost story/romance.
  • The Ghost and Mrs. Muir, 1947: So this is neither creepy nor scary so much as good wholesome odd couple romance. With Gene Tierney and Rex Harrison. So yeah, pretty good.
  • The Hound of the Baskervilles, 1939: Not supernatural but almost so, and the desolate moors and howling lend a fair bit of creepiness. It stays.

I love Bette Davis:

  • Whatever Happened to Baby Jane?, 1962: Not supernatural but definitely one of the more disturbing and creepy films on this list (possibly ever). Child stars, faded glory, and a permeating air of decay.

Dream within a dream:

  • Dead of Night, 1945: Supernatural tale-telling between guests at a country house starts takes an odd turn as one begins to experience some pretty spectacular deja vu.

The artsy French are so weird:

  • Eyes Without a Face, 1960: I find this to be a completely amazing movie, both in terms of its haunting beauty and the simple but strange plot. Face stealing.

SaveSaveSaveSaveSaveSaveSaveSaveSaveSaveSaveSaveSaveSaveSaveSaveSaveSave

Let’s Get Epistolary (Novels)

mp-to-hahn-oct-1914-clip-21

My spring break ends tomorrow and I’ll be heading back to Yale, so naturally my thoughts are turning to correspondence and keeping in touch.  I’ve never been a dependable letter-writer, enthusiastic as I am about it as an art.  I blame advances in technology- email, texting, phone calls- that make writing (and asking people to write to you) feel pedantic, obsolete, and kind of unrewarding.
I wish I didn’t feel that way because there is something so gratifying in receiving a letter in the mail, something very grand in ‘conducting a correspondence’, and something so much more personal about handwritten thoughts tucked into an envelope just for you.
It makes you shiver, thinking of the things we stand to lose: heartfelt love letters, correspondence between great thinkers… We’ve replaced the first with sexts and FaceTime. The correspondence of Anais Nin and Henry Miller will be replaced by an endless chain of “U up?”s night after night.  We replaced the latter with… I don’t know? Tweets to followers?

And I love letters as a frame for novels. A lot of the earliest novels were epistolary and it’s a tactic that pops up every now and again in fiction (though I haven’t read many (any?) contemporary examples- hopefully I’ll get to House of Leaves soon). Continue reading “Let’s Get Epistolary (Novels)”