For once a list that could be inspired by Baby Driver but in fact, isn’t.
Actually, I watched The Pianist for the first time today and was kind of blown away. I highly recommend seeing it, if you haven’t already.
It got me to thinking about one of those bizarre self-defined genres that really appeals to me, a musically inclined but essentially nonmusical person. Films in which music plays a very important role. But films that aren’t musicals. Continue reading “Music-Centric Films (Non-Musical)”
Coming out of Dunkirk last week (guys, it’s amazing- go watch it (except for the erasure of everyone who wasn’t a white man from WWII)!) I was inspired to write a list of great war films.
When I got on it the next day I realized belatedly that war film knowledge is really a big gap in my film expertise. I haven’t watched most of the classics yet (Bridge on the River Kwai, All Quiet on the Western Front, Das Boot, Patton, etc.) and I couldn’t get more than a few minutes into Saving Private Ryan when I tried to watch it a few months ago. (It’s just so overblown and melodramatic).
My list would have been solely Hacksaw Ridge and Dunkirk, and we can’t have that- even if I do write movie pairing posts sometimes.
So I decided to ease into the subject with a genre I know a little (okay, a lot) more about- wartime romances.
My criteria were vaguely as follows: 1) There must be a war that actually took place in reality. 2) The plot must primarily follow some kind of romantic trajectory- the love story can’t be a secondary consideration, which rules out things like Hacksaw Ridge and Watch on the Rhine.
Be warned- it’s a bit of an eclectic list, but all are worthwhile in my book. Continue reading “Wartime Romance Films: All’s Fair”