Can I Just Talk About Movies For a Minute (or Twenty)?

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Firstly, a brief apology that my posting has fallen off (that said, one a day is a bit tricky to maintain- which is the same reason I haven’t taken my vitamins for maybe two months). I blame my “moving to France” preparations. And also I am so tickled that that’s a thing- the best kind of preparations to be making and complications to be having.
But it really does make me annoyed with the government- both governments, America’s and France’s. Anarchy!!!

Okay, I’m done.
You may remember that I did a post some not very long distance of time ago about the movies that were coming out this year, they’re various release dates, what I was excited to see and what not. Well, I foolishly assumed that that would cover my new and unseen film enthusiasm at least for a few months- until the films started popping up that I hadn’t yet heard much about.

It doesn’t seem to have even tided me over for a week. Continue reading “Can I Just Talk About Movies For a Minute (or Twenty)?”

2017 Films I’m Looking Forward To

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I saw The Big Sick the day before yesterday! It was pretty good but not as excellent as I was hoping it would be. It’s hard to get a romcom right- I mean it’s hard to make an intelligent romcom.  Without spoilers, a few of the things I found lacking: a number of the best jokes were used in the trailer, and I found myself wishing I hadn’t seen the trailer so I could appreciate the film more.  Kind of says something negative re: rewatchability.
Also, the movie, despite being a romantic comedy, is too much about the male main character, Kumail Nanjiani. Given that the female protagonist is in a coma for the majority of the film (not a spoiler; that’s the premise), it’s an easy hole to fall into. But even when Emily’s parents (Holly Hunter!) show up to stand in for her, the film still leans into being a coming of age story for Kumail Nanjiani (which, he did do a lot to make this film happen, so I can see how it focuses on his experience).  The romantic plot line and family merging took a backseat to his personal development, to the extent that Emily’s coma feels more like a plot device to trigger Kumail’s transformation, rather than the premise of the film.  And even though she’s based on a real person, Zoe Kazan’s Emily  (through no fault of Zoe Kazan’s, who had to spend most of the film being  coma patient) comes across as more manic-pixie-dreamgirl. Probably as a result of the script more than anything else.
But it was a good movie. It was funny and quick, even if it was not as insightful or deep as I was hoping it would be. Continue reading “2017 Films I’m Looking Forward To”

Friday Links 7/7

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As always when it’s the first links installment of the month, the above photo is my new monthly desktop background (tiled, of course!)
It’s Friday and the weekend and I seem to be living my best life- at least that’s how it feels when things go your way for a few days. I’ve been doing a lot of cooking, found the perfect denim dress (finally!) and have some nice plans for the days ahead (Hopefully involving watching some horse racing! And possibly a film).  And my birthday is coming up! I’ll be 22, which is a nice even palindrome.

There are a lot of potential posts in the offing, which means that I need to gather my thoughts into a more orderly order and then proceed. You may have noticed that my Baby Driver thoughts yesterday were a bit scattered- but I was feeling guilty for not mentioning it, as it’s a really great independent film, and we need more of them.

Let’s get down to business!

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Friday Links 6/23: The Drought is Over

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I had an emotionally trying day, so let’s turn to the profound depths of the endless internet to drown my troubles.

Thankfully, after two weeks of fairly few links, I stumbled this week across a lot of interesting things (hope you’ll agree!) Continue reading “Friday Links 6/23: The Drought is Over”

Friday Links 6/9: Not So Many

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It’s not so many links this week, so I’m going to supplement with some basic life facts; I just finished Vanity Fair, which I believe was on my list of long books I had and hadn’t read, and have moved on to The Ghost and Mrs. Muir.
I watched The Testament of Youth recently and really enjoyed it- somehow I seem to be picking out a lot of WWI, so I put a hole on Gallipoli at the library. It’s time. Bracing myself.  I’m also debating watching It Comes at Night at the theater. It looks like a good suspenseful family drama, more than a horror film. Maybe Lily and I can watch it next weekend if it’s still playing.
Speaking of visiting friends, Gabriella is here for the weekend and she has four tiny tiny kittens! We’re planning fun and a potential visit to the Pride Parade at Boston tomorrow.  What else? Visiting my aunt and uncle tomorrow meaning and possibly seeing another aunt next weekend.  It’s a lovely confluence of people I care about.
Anything else? I took my first parkour lesson yesterday and it was great fun.

Onto the links! Continue reading “Friday Links 6/9: Not So Many”

Movies: Surreal, Suspenseful, Artsy, and Female-Centric

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I watched The Fits yesterday night.  I keep letting myself in for these experiences that are not, for me, the most satisfying when I watch these art house films.  They’re so beautiful to watch. Often as not, the cinematography is beautiful and the plot is a seductive jigsaw puzzle. But also often as not, that irresistible mystery at the plots core is left unresolved.

Maybe you’re someone who is totally fine with that, in which case this is the list for you! But being someone who loves closure, I always feel frustrated and honestly a bit distressed by the lack of resolution.  And because I do truly enjoy the viewing experience, I’m not likely to learn my lesson anytime soon.

So a collection of unorthodox films verging on the incoherent, with philosophical themes and symbolic overtones? Aesthetically pleasing and little-known?  Films centered on women? Finales that leave you biting your lip and obsessively googling to find “the meaning”? Here you go. Continue reading “Movies: Surreal, Suspenseful, Artsy, and Female-Centric”