Despite writing and keeping this blog primarily for myself, as a way to keep writing casually and to share the things I’m brimming with excitement about… I can’t help but feel guilty when I ignore certain topics for what I feel is too long.
That’s why I didn’t post for two days- I’m distinctly aware that I owe books a day in the spotlight, but reading hasn’t been particularly satisfying for me recently. I only recently pulled out of the refraction period caused by Willa Cather’s The Song of the Lark. I read that over the fourth of July. Over a month ago.
The book that got me out is the one that I’m still very much in the middle of- Balzac’s Cousin Bette.
Because of this I feel like saying anything on the subject of what I’m reading right now is both premature and a bit too tenuous. I don’t want to do anything that might cause me to lose the reading momentum for another month. Especially because I need to know what happens to Cousin Bette and Steinbock and Hortense and Adeline.
So instead of talking about what i’m reading right now, I’d like to share one of my favorite middle school and high school genres: historical fiction.
Continue reading “Historical Fiction, A Way Back Book Obsession”
Coming out of Dunkirk last week (guys, it’s amazing- go watch it (except for the erasure of everyone who wasn’t a white man from WWII)!) I was inspired to write a list of great war films.
When I got on it the next day I realized belatedly that war film knowledge is really a big gap in my film expertise. I haven’t watched most of the classics yet (Bridge on the River Kwai, All Quiet on the Western Front, Das Boot, Patton, etc.) and I couldn’t get more than a few minutes into Saving Private Ryan when I tried to watch it a few months ago. (It’s just so overblown and melodramatic).
My list would have been solely Hacksaw Ridge and Dunkirk, and we can’t have that- even if I do write movie pairing posts sometimes.
So I decided to ease into the subject with a genre I know a little (okay, a lot) more about- wartime romances.
My criteria were vaguely as follows: 1) There must be a war that actually took place in reality. 2) The plot must primarily follow some kind of romantic trajectory- the love story can’t be a secondary consideration, which rules out things like Hacksaw Ridge and Watch on the Rhine.
Be warned- it’s a bit of an eclectic list, but all are worthwhile in my book. Continue reading “Wartime Romance Films: All’s Fair”