Can I Just Talk About Movies For a Minute (or Twenty)?

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Firstly, a brief apology that my posting has fallen off (that said, one a day is a bit tricky to maintain- which is the same reason I haven’t taken my vitamins for maybe two months). I blame my “moving to France” preparations. And also I am so tickled that that’s a thing- the best kind of preparations to be making and complications to be having.
But it really does make me annoyed with the government- both governments, America’s and France’s. Anarchy!!!

Okay, I’m done.
You may remember that I did a post some not very long distance of time ago about the movies that were coming out this year, they’re various release dates, what I was excited to see and what not. Well, I foolishly assumed that that would cover my new and unseen film enthusiasm at least for a few months- until the films started popping up that I hadn’t yet heard much about.

It doesn’t seem to have even tided me over for a week. Continue reading “Can I Just Talk About Movies For a Minute (or Twenty)?”

2017 Films I’m Looking Forward To

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I saw The Big Sick the day before yesterday! It was pretty good but not as excellent as I was hoping it would be. It’s hard to get a romcom right- I mean it’s hard to make an intelligent romcom.  Without spoilers, a few of the things I found lacking: a number of the best jokes were used in the trailer, and I found myself wishing I hadn’t seen the trailer so I could appreciate the film more.  Kind of says something negative re: rewatchability.
Also, the movie, despite being a romantic comedy, is too much about the male main character, Kumail Nanjiani. Given that the female protagonist is in a coma for the majority of the film (not a spoiler; that’s the premise), it’s an easy hole to fall into. But even when Emily’s parents (Holly Hunter!) show up to stand in for her, the film still leans into being a coming of age story for Kumail Nanjiani (which, he did do a lot to make this film happen, so I can see how it focuses on his experience).  The romantic plot line and family merging took a backseat to his personal development, to the extent that Emily’s coma feels more like a plot device to trigger Kumail’s transformation, rather than the premise of the film.  And even though she’s based on a real person, Zoe Kazan’s Emily  (through no fault of Zoe Kazan’s, who had to spend most of the film being  coma patient) comes across as more manic-pixie-dreamgirl. Probably as a result of the script more than anything else.
But it was a good movie. It was funny and quick, even if it was not as insightful or deep as I was hoping it would be. Continue reading “2017 Films I’m Looking Forward To”