Most Anticipated Movies of 2020

As with all of my posts, and perhaps all posts in general written by people afraid of being held to their word, we will begin with a short disclosure.

Movies that are given release dates tend to be bigger budget studio films, i.e. the films I’m generally less interested in.  Many of the films that were on my 2019 most anticipated list I never even bothered watching (Looking at The Curse of La Llorona) and many of my big loves were films I had no knowledge of at this time last year.

But there’s something like 30+ films that have already caught my eye, so I figured out list them out and give quick descriptions, probably stolen from IMDb.  And at the same time I’ll add them to my private ‘to watch’ list (it’s 40+ pages and you will never see it).

  • The Invisible Man: When Cecilia’s abusive ex takes his own life and leaves her his fortune, she suspects his death was a hoax. As a series of coincidences turn lethal, Cecilia works to prove that she is being hunted by someone nobody can see.
    Oh look, an adaptation of the only HG Wells story I give a damn about. The director (Leigh Whannell) also did Upgrade, so that’s a big plus. As is Elisabeth Moss.
  • A Quiet Place II: Following the events at home, the Abbott family now face the terrors of the outside world. Forced to venture into the unknown, they realize the creatures that hunt by sound are not the only threats lurking beyond the sand path.
    I liked the first one, it’s that simple.
  • No Time To Die: James Bond has left active service. His peace is short-lived when Felix Leiter, an old friend from the CIA, turns up asking for help, leading Bond onto the trail of a mysterious villain armed with dangerous new technology.
    If the ‘one good, one bad’ pattern continues, this will be a good Bond. Also always here for Ana de Armas, Lea Seydoux, and Rami Malek.
  • Antlers: A small-town Oregon teacher and her brother, the local sheriff, become entwined with a young student harboring a dangerous secret with frightening consequences
    Based on the trailer my guess is that his Dad is a wendigo.
  • Antebellum: Successful author Veronica finds herself trapped in a horrifying reality and must uncover the mind-bending mystery before it’s too late.
    She would appear to have been time swapped to a slave plantation, which is no place for anyone, let alone Janelle Monae.
  • Soul: A musician who has lost his passion for music is transported out of his body and must find his way back with the help of an infant soul learning about herself.
    Looks much more interesting than Onward, in terms of Pixar offerings, tbh.
  • Saint Maud: Follows a pious nurse who becomes dangerously obsessed with saving the soul of her dying patient.
    I love movies about dangerously obsessed people. Also: focus on women, directed by a woman!
  • Candyman: A “spiritual sequel” to the 1992 horror film ‘Candyman’ that returns to the now-gentrified Chicago neighborhood where the legend began.
    I’ve never seen the original, but I’m excited for this- not least because there are a lot of great names attached to it including Nia DaCosta, Jordan Peele, and Yahya Abdul-Mateen.
  • Tenet: An action epic revolving around international espionage, time travel, and evolution. Possibly about a man trying to prevent World War 3 through time travel and rebirth.
    Nolan with an exciting story and packed cast. Come on.
  • Last Night in Soho: A young girl, passionate about fashion design, is mysteriously able to enter the 1960s where she encounters her idol, a dazzling wannabe singer. But 1960s London is not what it seems, and time seems to fall apart with shady consequences.
    Edgar Wright is finally back post- Baby Driver, with Thomasin McKenzie (Jojo Rabbit) and Anya Taylor-Joy (Thoroughbreds, The Witch).
  • The French Dispatch: A love letter to journalists set in an outpost of an American newspaper in a fictional 20th-century French city that brings to life a collection of stories published in “The French Dispatch” magazine.
    Isle of Dogs really pissed me off so I’d like a good Wes Anderson.
  • Benedetta: A 17th-century nun in Italy suffers from disturbing religious and erotic visions. She is assisted by a companion, and the relationship between the two women develops into a romantic love affair.
    Oh look, a psychologically twisted costume/period drama with lesbian overtones. I am predictable.
  • The Lodge: A soon-to-be stepmom is snowed in with her fiancé’s two children at a remote holiday village. Just as relations begin to thaw between the trio, some strange and frightening events take place.
    Similarly, I am also a sucker for strange and frightening events.
  • Promising Young Woman: A young woman, traumatized by a tragic event in her past, seeks out vengeance against those who cross her path.
    Based on the trailer it looks like she tricks men into thinking they will get to have sex with her extremely inebriated self and then wreaks bloody vengeance. Cathartic. I hope Carey Mulligan doesn’t kill Bo Burnham.
  • Nightmare Alley: A corrupt con-man teams up with a psychiatrist to trick people into giving them money.
    I can’t remember if I’ve seen the original 1947 film noir, but regardless I am here for Guillermo del Toro and Cate Blanchett.
  • Undine: Undine works as a historian lecturing on Berlin’s urban development. But when the man she loves leaves her, the ancient myth catches up with her. Undine has to kill the man who betrays her and return to the water.
    I love the Undine myth and I would love to be able to turn into a seal. I get few opportunities to live vicariously as a seal. Plus the main actress and director have worked on other projects that I need to get to.
  • Deep Water: A well-to-do husband who allows his wife to have affairs in order to avoid a divorce becomes a prime suspect in the disappearance of her lovers.
    After Knives Out, I want to follow Ana de Armas’ work. Especially because this is based on a Patricia Highsmith (Strangers on a Train, The Talented Mr. Ripley, The Price of Salt) story.
  • The Last Duel: King Charles VI declares that Knight Jean de Carrouges settle his dispute with his squire by challenging him to a duel.
    Adam Driver, Ben Affleck, and Matt Damon in period French clothes having a duel? What?
  • Palm Springs: When carefree Nyles and reluctant maid of honor Sarah have a chance encounter at a Palm Springs wedding, things get complicated as they are unable to escape the venue, themselves, or each other.
    Someone already gave away the twist to this and I’m kind of pissed.
  • Mulan: A young Chinese maiden disguises herself as a male warrior in order to save her father. A live-action feature film based on Disney’s ‘Mulan.’
    I’m on the record as being vigorously anti-live-action-remake. But I’m vaguely interested in a Mulan that hews closer to the original legend and incorporates wuxia traditions. And Donnie Yen.
  • Mank: Follows screenwriter Herman J. Mankiewicz’s tumultuous development of Orson Welles’ iconic masterpiece Citizen Kane(1941).
    Probably Oscar bait, but could be quite good. I like film history.
  • I’m Thinking of Ending Things: An unexpected detour causes a woman who is trying to figure out how to break up with her boyfriend to rethink her life.
    It’s listed as a drama horror thriller and it’s starring Toni Collette and Jessie Buckley. Give it to me.
  • Annette: A stand-up comedian and his opera singer wife, have a 2 year old daughter with a surprising gift.
    A musical with Adam Driver and Marion Cotillard.
  • Rebecca: A young newlywed finds herself in living in the shadow of her wealthy husband’s previous wife.
    I’m interested to see how far this adaptation is from measuring up to Hitchcock’s.
  • Next Goal Wins: Adaptation of the 2014 British soccer documentary which follows Dutch coach Thomas Rongen who attempts the nearly impossible task of turning the American Samoa soccer team from perennial losers into winners.
    Taika Waititi, Elisabeth Moss, and Armie Hammer sounds good to me (especially because AH is in Rebecca and I feel bad).
  • Ammonite: 1840s England, an infamous fossil hunter and a young woman sent to convalesce by the sea develop an intense relationship, altering both of their lives forever.
    Saoirse Ronan, Kate Winslet, period drama with lesbian overtones.
  • The Hunt: Twelve strangers wake up in a clearing. They don’t know where they are, or how they got there. They don’t know they’ve been chosen – for a very specific purpose – The Hunt.
    Famously controversial film originally slated for 2019. Google it.
  • Da 5 Bloods: A group of veterans from the Vietnam War return to the jungle to find their lost innocence.
    Chadwick Boseman and Spike Lee.
  • Into the Deep: A Swedish journalist disappears near Copenhagen and is discovered to have been brutally murdered by Danish inventor Peter Madsen aboard his homemade submarine.
    It’s not every day you get a Swedish submarine murder. Oh, and by the way, it’s a documentary.

A Decade of Films, 2014

So 2014 was a great year for films, to the extent that I have 10 favorites and 44 honorable mentions. And of course a handful of films I haven’t seen.

And I’m still trying to catch up on 2019’s films. Three films over this past Friday-Saturday-Sunday, which means I’ve watched about 50 of last year’s films. I also did some OCD research last night to see how much I felt I should see before committing to my list of favorites- that would be 32 films still to see. I won’t get through them all, but I can try.
It’s not like the Oscar voters watched all of last year’s movies anyway.
In fact, I’ve probably seen more than Stephen King. (Why does he get to vote for Oscars anyway? He’s a writer. The one great film that was made from his work (The Shining) is one that he’s essentially disowned because it’s too far from his novel. And that’s because his writing sucks isn’t good.)
If you’re not sure why I’m picking on Stephen King, he’s said some questionable stuff about the Oscar nominees’ lack of diversity. And he hasn’t reflected very much on the issue, apparently.

OKAY, SO MY FAVORITES MOVING ON!

In no particular order:

  • John Wick: I’m not in love with the sequels, but the original film is an original concept executed electrically.  And sneakily deep for a film that explores how many deaths it takes to avenge a puppy (dude, if you’ve ever met/seen a puppy you know it’s A LOT).
  • Kingsman: The Secret Service: Again, not a huge fan of the sequel, and there are definitely some moments in this that give me serious pause, but on the whole it’s a great time.  Like, the kind of good time where you want to use the word “rollicking”.  An excellent secret agent film for a post-Bond world. With a sprinkle of class conflict examination.
  • Ex Machina: I’m a bit conflicted on this one because while I quite like Ex Machina, it does feel like it tries a bit too hard to be deep.  There’s a whole lot of navel-gazing going on.  But the performances are all excellent, Oscar Isaac’s dance scene is the most disturbing thing I could ever imagine, and the message is interesting.
  • Fury: It’s an excellent ensemble war film about the crew of a tank, focusing on the newest and youngest member.  Bloody, dramatic, and tragic.
  • Whiplash: I’m not the hugest fan of Damien Chazelle, but this is my favorite of his films so far (the others being La La Land and First Man).  But I’m always into stories of obsession and the clash of disturbed personalities, so there you go.
  • Grand Budapest Hotel: Wes Anderson, Ralph Fiennes, early Saoirse Ronan, and many more exciting faces, plus a pink hotel and Andersonian hijinks. I’ve been feeling a bit deflated about Anderson post-Isle of Dogs, but this was back in the good old days. And I watched it with my family over Thanksgiving break. Anderson has another film coming out next year, so maybe that will get me back on the train?
  • Nightcrawler: Brilliantly chilling thriller starring Jake Gyllenhaal as a man who sells grisly camera footage to news outlets.  Rene Russo is also great and similarly distressing to watch.  Examines the ties between unethical journalism and consumer demand.
  • Big Hero 6: Completely different from the preceding film, Big Hero 6 has a very big heart and watching it is like receiving a very big hug.  I remember it was very popular when it came out but it doesn’t get talked about as much anymore, which is a shame.
  • Ernest & Celestine: A French animated film based on a children’s series, depicting the touching friendship between a big bear (Ernest) and a little mouse (Celestine).
  • The Book of Life: So I guess 2014 was a big year for animation, for me.  To save the love of his life, Manolo sacrifices himself and must journey through the Land of the Remembered, meeting his ancestors along the way. Stop comparing it to Coco. Do you know how many Christmas movies there are? We can have more than one film about the Day of the Dead and Mexican tradition. Thanks.

Honorable mentions: The Wind Rises, Gone Girl, Edge of Tomorrow (good film but if I see poor Emily Blunt do the sexy stretch one more time I’m going to break something), Imitation Game.

I have not seen: Boyhood, It Follows, Highway, or The Lunchbox.

It’s Links Friday But There’s A Disney Bracket

And you know how I feel about Disney.
Which is to say, everything else takes a backseat and your not so regularly scheduled programming will return at a later date (maybe tomorrow?)

So here’s the bracket:

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It’s tearing both the internet and my soul apart, so I thought I would share it because misery loves company.
Let’s get down to brass tacks.

Round One Disney:

  • Lion King v Tarzan: I love both of these but only saw Tarzan for the first time a few years ago, while I grew up with Lion King. And everything about Lion King is ‘modern classic’.
  • The Princess and the Frog v Lilo and Stitch: Both movies I’ve seen only once, both I like quite a bit.  I’m going to go with Lilo and Stitch this time.
  • Tangled v Big Hero 6: I honestly don’t really like Tangled.
  • Frozen v Moana: Moana wins handily.
  • Aladdin v Hercules: I love Hercules but didn’t watch it much as a child (I don’t think we had it on VHS), while Aladdin is one of my all time favorites.
  • The Little Mermaid v Pocahontas: I keep coming back t this one and keep surprising myself by picking Pocahontas. Guess I just can’t get over Colors of the Wind.
  • Mulan v Zootopia: Agh, hard. The wonderfulness of Zootopia just can’t compete with something I sang along with in preschool and danced to at my first ballroom performance.
  • Beauty and the Beast v Nightmare Before Christmas: Maybe not the way everyone would go but I’m not hugely fond of Beauty and the Beast, save Lumiere, Philippe, and Angela Lansbury.

Pixar Round One:

  • Up v Brave: Kind of indifferent, honestly. Up has that one beautiful montage that puts it over the excellent animation of horses throughout Brave. I have my own priorities.
  • Toy Story v Toy Story 2: Toy Story 2 was always too dark for me as a child and the one time I revisited it I was nonplussed.
  • Coco v Cars 2: I’ve never seen Cars 2 and I don’t plan to.
  • Toy Story 3 v The Good Dinosaur: Duh.
  • Ratatouille v Bug’s Life: Why am I doing this to myself? Bug’s Life. The first film I ever saw in theaters. Sorry Ratatouille!
  • Finding Nemo v Inside Out: Honestly either of these will probably lose to whatever it goes up against in the next round. Both disqualified! More memories with memo but I like Inside Out better as a film.
  • Monsters Inc v Cars: Put that thing back where it came from or so help me!
  • The Incredibles v WallE: The Incredibles is a masterpiece, Edna Mode is an icon and I am so hyped for the sequel.

Round Two Disney:

  • Lion King v Lilo and Stitch:
  • Big Hero 6 v Moana:
  • Aladdin v Pocahontas:
  • Mulan v Nightmare Before Christmas: All easy choices this time through. It’s the calm before the storm.

Round Two Pixar:

  • Up v Toy Story:
  • Coco v Toy Story 3: That hurt a little.
  • Bug’s Life v N/A: That didn’t.
  • Monsters Inc v The Incredibles: This fight went the other way when i did it yesterday.

Round Three Disney:

  • Lion King v Moana:
  • Aladdin v Mulan: Sobbing.

Round Three Pixar:

  • Toy Story v Toy Story 3:
  • Bug’s Life v Monster’s Inc: To whoever created this sadistic bracket: Who hurt you?

Round Four Disney:

  • Lion King v Aladdin: UPSET (in many senses of the word)

Round Four Pixar:

  • Toy Story 3 v Bug’s Life:

THE FINAL:

  • Aladdin v Bug’s Life: ARABIAN NIIIIIIGHTS

Just glad they didn’t put in Peter Pan or Lady and the Tramp because then I might have jumped from the window.

My Oscars Predictions as Promised

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And yes, I know that I also promised links posts on Friday an I do indeed have links, but they will need to be saved for another moment.

Why?

I finally saw Phantom Thread last night. Damn son, that was stunning.
And I just finished an abominable test today (the studying for which was preventing me from posting, so now I’m ready to unload some writing and knowledge and thoughts of a non-links variety).
So let’s talk Oscars predictions.
If you lose any money betting on this I am not accountable.

I’m only going to go into the big categories because even I can’t pretend I’m qualified to discuss best original screenplay or cinematography.
Like last year (at least I think I did it this way last year- it’s been so long!) I’m going to point out which film I think is the likely winner and which film I personally think should win.

Let’s do it.

Best Picture:
“Call Me by Your Name”
“Darkest Hour”
“Dunkirk”
“Get Out”
“Lady Bird”
“Phantom Thread”
“The Post”
“The Shape of Water”
“Three Billboards Outside Ebbing, Missouri”

This was really difficult for me and if I could have chosen CMBYN, Three Billboards (Panels of Vengeance, here in France), and Dunkirk, I would have. Actually I had all three highlighted in blue until a few minutes ago, when I surprised myself by picking CMBYN rather than Three Billboards, which I was thinking would be my top pick. Maybe my mind will change tomorrow, but right now I’m really feeling CMBYN, looking back on my experiences watching all of these. Why CMBYN? The beauty, the atmosphere, the tender love, the heartbreak. Why Three Billboards? Because it’s powerful and kick ass and true but bizarre. Why Dunkirk? I love a good war film, I love Nolan, and this is honestly both at their best. The timeline and story intersections were beautifully done and the humanity of it all was devastating. And you have to love the ‘solidarity’ moments, which dad has trained me to love in films (and to look over to see if he’s crying- we watched Dunkirk together in the theaters, he was.)
And why Shape of Water? Let’s do process of elimination first.  CMBYN is obviously going to turn off conservative voters (but they’re okay with fish god bestiality (tune in to my upcoming links post for more on that)) and missed nominations in a few key categories (notably Best Supporting Actor). Darkest Hour was a long, dull, plodding film (I didn’t finish, I’m surmising from the first fifteen minutes and reviews that I’ve read/watched). Dunkirk: No acting or screenplay nominations, came out a while ago, not a lot of buzz. Get Out, like CMBYN, is probably a bit to political to pull through. I was excited to see it was even nominated and would be kind of shocked if it won Best Picture. Lady Bird could potentially win (it and CMBYN are my backup choices for actual Best Picture winner) but I haven’t heard as much about it recently, while the hype for Shape of Water seems to be only picking up.  Phantom Thread and The Post don’t have many nominations in other categories- it seems the nomination in these cases is the reward. And Three Billboards, while one of my favorites, has created a lot of controversy re: the redemption of a certain racist cop character (I didn’t have trouble with the way it was done but can see why some might).
What does The Shape of Water have on its side?  It has some Hollywood self-promotion- which the Academy loves- in terms of throwbacks to silent films, musicals, old creature features (of course), and the film industry as a whole (the heroine lives above a cinema).

Lead Actor:
Timothée Chalamet, “Call Me by Your Name”
Daniel Day-Lewis, “Phantom Thread”
Daniel Kaluuya, “Get Out”
Gary Oldman, “Darkest Hour”
Denzel Washington, “Roman J. Israel, Esq.”

I mean, obviously the Oscar will go to Gary Oldman in a fastest acting his fastest ass off as a curmudgeonly Winston Churchill.  He’s an actor the Academy wants to reward for previous work. He’s in a period drama about WWII. He’s acting aggressively. Physical transformation.
Were I a one-woman Academy, the Oscar would certainly be in the hands of Timothy Chalamet. And not just because I think he’s adorable and dreamy.  His work in CMBYN is just fantastic. I can’t say so much about it beyond “watch the film”.

Lead Actress:
Sally Hawkins, “The Shape of Water”
Frances McDormand, “Three Billboards Outside Ebbing, Missouri”
Margot Robbie, “I, Tonya”
Saoirse Ronan, “Lady Bird”
Meryl Streep, “The Post”

Frances McDormand delivers a powerful performance as the lead in Three Billboards and I think she absolutely deserves this win- and it’s even more likely if we accept my poems that Three Billboards is unlikely to win Best Picture. Additionally, she’s been coming out on top in the awards ceremonies leading up to the Oscars.
Could go to Soirse or Sally Hawkins, I find wins by Margot Robbie or Meryl Streep unlikely.

Supporting Actor:
Willem Dafoe, “The Florida Project”
Woody Harrelson, “Three Billboards Outside Ebbing, Missouri”
Richard Jenkins, “The Shape of Water”
Christopher Plummer, “All the Money in the World”
Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

This is I think the most difficult category to call.  There are significant reasons why the Academy might go for any one of these nominees. Willem Dafoe is a great actor representing a powerful project largely regarded as one of the more significant snubs. He’s never won before and he definitely seems like a man who could be an Oscar winner.  Woody Harrelson and Sam Rockwell are both excellent in Three Billboards but are likely to split the vote.  Harrelson gets less screen time but Rockwell plays the character at the center of most of the controversy affecting the film. I don’t know that Academy voters are going to want to be the one to suggest rewarding the ‘racist cop with a heart of gold’ role. Richard Jenkins is touching and sensitive in The Shape of Water, which leads in terms of number of nominations. All the Money in the World hasn’t been getting much positive press, but Christopher Plummer was called in last minute to replace Spacey after his ignominious fall from grace, and it’s quite possible the Academy will want to reward that. Two weeks for filming a significant part in an already completed film is no mean feat.

Supporting Actress:
Mary J. Blige, “Mudbound”
Allison Janney, “I, Tonya”
Lesley Manville, “Phantom Thread”
Laurie Metcalf, “Lady Bird”
Octavia Spencer, “The Shape of Water”

First I just want to say that all of these options are fantastic and there is no possible way to be displeased with any outcome.  Least likely to win is Octavia Spencer, simply because her role was less significant than the others and so has been getting less of a push and less attention.  Mudbound also hasn’t gotten much publicity (perhaps because it comes from the house of Netflix?) but Blige was potentially the best part of the film.  Lesley Manville is rather the dark horse and though her work in Phantom Thread is fantastic, I don’t think she’s likely to steal the award away from the two favorites- Janney and Metcalf.  Janney has been coming out on top more often than not and her portrayal involves more strenuous/exuberant acting. And on a personal level I liked I, Tonya more than Lady Bird.

Director:
“Dunkirk,” Christopher Nolan
“Get Out,” Jordan Peele
“Lady Bird,” Greta Gerwig
“Phantom Thread,” Paul Thomas Anderson
“The Shape of Water,” Guillermo del Toro

It was a bit of a heartbreaker for me personally to choose between Nolan and del Toro.  Neither have Oscars and both have significant bodies of beautiful work that deserve to be rewarded.  In the end I think the Academy is more likely to give it to del Toro, who seems to be their darling this season.  I prefer Nolan. Apart from my issues with The Shape of Water, I think Dunkirk was a beautifully planned and beautifully realized tour de force.

Animated Feature:
“The Boss Baby,” Tom McGrath, Ramsey Ann Naito
“The Breadwinner,” Nora Twomey, Anthony Leo
“Coco,” Lee Unkrich, Darla K. Anderson
“Ferdinand,” Carlos Saldanha
“Loving Vincent,” Dorota Kobiela, Hugh Welchman, Sean Bobbitt, Ivan Mactaggart, Hugh Welchman

Coco will and should win.

Links not Words

Look at me doing two posts two days in a row like I don’t currently have 134 raw materials to study and an illness to recover from! 😀

No excuses, I have reaped enough links from the inter webs now to share them and I’m missing sharing my thoughts more often, so I’m going to work on making time for this blog/diary/list compendium more of a priority.
For the children, you know.

  • Pixar’s released a TEASER TRAILER FOR INCREDIBLES 2! I’ve been waiting so long. And I am so ready for destructive apocalyptic Jack Jack and stay-at-home Mr. Incredible. (And Edna Mode. Please, Edna Mode).
  • One of my favorite makeup artists (Violette, check out her youtube channel) has released a trio of lip colors with Estee Lauder. I’m sorely tempted.
  • A scholarly discussion of Rankin & Bass Christmas specials; the good, the bad, and the ugly. Finally convinced me to finally watch Jack Frost, which I had somehow missed during all of my childhood ABC Family’s 25 Days of Christmas. Here are some highlights.
  • A program to help you find the word that’s just on the tip of your tongue.
  • Guys, there’s a new horse movie coming out, Lean on Pete.
  • The American Film Institute has released their list of top 10 films of 2017. It’s a pretty good list. I’ve seen 4/10 so far, time to get cracking.
  • Yale’s released a new admissions video, “That’s Why I Toured Yale”, replacing cult icon “That’s Why I Chose Yale”. The weirdest thing? I recognize people in the video. (I see you at 9:26-9:33, ballroom team!)
  • NPR’s guide to the best books of 2017. Be right back, adding about 20 to my list. have you read any?
  • New York Times film critics on the best movie performances of 2017. So much agreement and so much anticipation for films I haven’t seen yet (like Ladybird, The Shape of Water, and Call Me By Your Name).
  • The magic of big cities, an illustration.

Late Links 9/16: Let’s do this thing!

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Hi! Let’s do a quick rundown on my personal life since last Friday links post. I’ve moved to France.

That was shorter than I expected it to be. Continue reading “Late Links 9/16: Let’s do this thing!”

Friday Links: First of September

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As always, on the first of the month I like to share my new desktop background. As always, it is tiled.
Also- under two weeks until I arrive in France. GAH.

So what’s been happening this week on the interwebs? Continue reading “Friday Links: First of September”

2017 Films I’m Looking Forward To

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I saw The Big Sick the day before yesterday! It was pretty good but not as excellent as I was hoping it would be. It’s hard to get a romcom right- I mean it’s hard to make an intelligent romcom.  Without spoilers, a few of the things I found lacking: a number of the best jokes were used in the trailer, and I found myself wishing I hadn’t seen the trailer so I could appreciate the film more.  Kind of says something negative re: rewatchability.
Also, the movie, despite being a romantic comedy, is too much about the male main character, Kumail Nanjiani. Given that the female protagonist is in a coma for the majority of the film (not a spoiler; that’s the premise), it’s an easy hole to fall into. But even when Emily’s parents (Holly Hunter!) show up to stand in for her, the film still leans into being a coming of age story for Kumail Nanjiani (which, he did do a lot to make this film happen, so I can see how it focuses on his experience).  The romantic plot line and family merging took a backseat to his personal development, to the extent that Emily’s coma feels more like a plot device to trigger Kumail’s transformation, rather than the premise of the film.  And even though she’s based on a real person, Zoe Kazan’s Emily  (through no fault of Zoe Kazan’s, who had to spend most of the film being  coma patient) comes across as more manic-pixie-dreamgirl. Probably as a result of the script more than anything else.
But it was a good movie. It was funny and quick, even if it was not as insightful or deep as I was hoping it would be. Continue reading “2017 Films I’m Looking Forward To”