Yes, I know the Oscars already happened but my Wifi was down so I wasn’t able to post my predictions. So I’m sharing them now, and you can have the benefit of passing judgment on past-pessimistic me.
I am referring of course to my belief that the Academy would go with the relatively safe pick of 1917 for both best picture and best director, while they instead went with Parasite, one of my two favorite twisted Korean dramas about conning the rich while struggling to avoid their creepy basements (check out Handmaiden). This makes Parasite the first foreign language film to win best picture.
I guess I should have had more faith in the Academy. Hard to believe this is the same voting body that gave the award to -Green Book- last year.
Coming out of Dunkirk last week (guys, it’s amazing- go watch it (except for the erasure of everyone who wasn’t a white man from WWII)!) I was inspired to write a list of great war films.
When I got on it the next day I realized belatedly that war film knowledge is really a big gap in my film expertise. I haven’t watched most of the classics yet (Bridge on the River Kwai, All Quiet on the Western Front, Das Boot, Patton, etc.) and I couldn’t get more than a few minutes into Saving Private Ryan when I tried to watch it a few months ago. (It’s just so overblown and melodramatic).
My list would have been solely Hacksaw Ridge and Dunkirk, and we can’t have that- even if I do write movie pairing posts sometimes.
So I decided to ease into the subject with a genre I know a little (okay, a lot) more about- wartime romances.
My criteria were vaguely as follows: 1) There must be a war that actually took place in reality. 2) The plot must primarily follow some kind of romantic trajectory- the love story can’t be a secondary consideration, which rules out things like Hacksaw Ridge and Watch on the Rhine.
Be warned- it’s a bit of an eclectic list, but all are worthwhile in my book. Continue reading “Wartime Romance Films: All’s Fair”