The first of my anemone flowers started blooming yesterday, which means summer is drawing to a close. Or more accurately, that the end of summer is drawing to a beginning.
Summer isn’t really saying goodbye until the asters and goldenrod are in full swing.
My plane tickets have been bought- my ticket, really, because as of yet there is no return trip. A one way trip to Charles de Gaulle.
And I may have watched the last film that I will watch that takes place in my city- the last one before I go. It was Gone Baby Gone. I love it when films make detours to my hometown to find unsavory people, murder victims, and other desperate characters. My favorite movie trope.
And I’ve decided that Jared Leto and Casey Affleck share a category in my head- creepy and lanky white boy actors who seem to take themselves too artistically seriously and who I don’t want to meet. Much as I admire Jared Leto’s ability to wear way too much Gucci at once. And much as I admire Casey Affleck’s… nothing really, never mind. Continue reading “Playlist: Long Sultry Summer”
I saw The Big Sick the day before yesterday! It was pretty good but not as excellent as I was hoping it would be. It’s hard to get a romcom right- I mean it’s hard to make an intelligent romcom. Without spoilers, a few of the things I found lacking: a number of the best jokes were used in the trailer, and I found myself wishing I hadn’t seen the trailer so I could appreciate the film more. Kind of says something negative re: rewatchability.
Also, the movie, despite being a romantic comedy, is too much about the male main character, Kumail Nanjiani. Given that the female protagonist is in a coma for the majority of the film (not a spoiler; that’s the premise), it’s an easy hole to fall into. But even when Emily’s parents (Holly Hunter!) show up to stand in for her, the film still leans into being a coming of age story for Kumail Nanjiani (which, he did do a lot to make this film happen, so I can see how it focuses on his experience). The romantic plot line and family merging took a backseat to his personal development, to the extent that Emily’s coma feels more like a plot device to trigger Kumail’s transformation, rather than the premise of the film. And even though she’s based on a real person, Zoe Kazan’s Emily (through no fault of Zoe Kazan’s, who had to spend most of the film being coma patient) comes across as more manic-pixie-dreamgirl. Probably as a result of the script more than anything else.
But it was a good movie. It was funny and quick, even if it was not as insightful or deep as I was hoping it would be. Continue reading “2017 Films I’m Looking Forward To”