I hope you had a lovely Saturday. I took a forty minute detour to claim a vegan cinnamon roll, visited the Louvre’s special Delacroix exhibition, and ate a pizza (also vegan).
Keep an eye open for an upcoming ‘best vegan pizzas in Paris’ post. The sequel to the Boston edition- we’ve relocated.
So here’s what’s happening on the interwebs, carefully avoiding the trend for snorting condoms.
- The city of lights from the sky
- I’m fantasizing less about these outfits and more about the swoon worthy descriptions of spring weather
- Body glitter is now the only appropriate use for the Kira Kira filter. I am entranced.
- What happens when you add illustrations to those random snippets of overheard conversations
- I would stay here– books and beds are the only things I need in life
- For it to really be Paris he would have an accordion
- Infernal Affairs and The Departed– for me The Departed wins because Boston, but I have yet to see Infernal Affairs (it’s been on my list SO LONG) so that’s not worth much. It does look excellent, doesn’t it?
- If you’re a Royal Wedding fan, maybe you want to enter this social media contest to suggest its defining ice cream flavor?
- The unstoppable rise of veganism, about which I have mixed feelings (more people want to eat my cinnamon bun but more places sell vegan pizza).
- The benefits of a plant-based diet for health and the environment.
- Congrats to Yale and congrats to Nathan Chen.
- An interview with my favorite makeup artist
- A follow up on the Orientalism inherent in Wes Anderson’s Isle of Dogs, and in the broader world of American cinema (with a very interesting segment on 2015’s Met Gala theme).
“It’s Japan purely as an aesthetic — and another piece of art that treats the East not as a living, breathing half of the planet but as a mirror for the Western imagination.” And perhaps the only thing that will lead to a more fair, just, and equal portrayal of Asians in cinema and pop culture is the spending power of that huge sector of the world population.
- Turkish Rondo in finger snaps
- Molly Ringwald reflects on the problematic legacy of John Hughes movies in the era of #MeToo