Most Anticipated Movies of 2020

As with all of my posts, and perhaps all posts in general written by people afraid of being held to their word, we will begin with a short disclosure.

Movies that are given release dates tend to be bigger budget studio films, i.e. the films I’m generally less interested in.  Many of the films that were on my 2019 most anticipated list I never even bothered watching (Looking at The Curse of La Llorona) and many of my big loves were films I had no knowledge of at this time last year.

But there’s something like 30+ films that have already caught my eye, so I figured out list them out and give quick descriptions, probably stolen from IMDb.  And at the same time I’ll add them to my private ‘to watch’ list (it’s 40+ pages and you will never see it).

• The Invisible Man: When Cecilia’s abusive ex takes his own life and leaves her his fortune, she suspects his death was a hoax. As a series of coincidences turn lethal, Cecilia works to prove that she is being hunted by someone nobody can see.
  Oh look, an adaptation of the only HG Wells story I give a damn about. The director (Leigh Whannell) also did Upgrade, so that’s a big plus. As is Elisabeth Moss.
• A Quiet Place II: Following the events at home, the Abbott family now face the terrors of the outside world. Forced to venture into the unknown, they realize the creatures that hunt by sound are not the only threats lurking beyond the sand path.
  I liked the first one, it’s that simple.
• No Time To Die: James Bond has left active service. His peace is short-lived when Felix Leiter, an old friend from the CIA, turns up asking for help, leading Bond onto the trail of a mysterious villain armed with dangerous new technology.
  If the ‘one good, one bad’ pattern continues, this will be a good Bond. Also always here for Ana de Armas, Lea Seydoux, and Rami Malek.
• Antlers: A small-town Oregon teacher and her brother, the local sheriff, become entwined with a young student harboring a dangerous secret with frightening consequences
  Based on the trailer my guess is that his Dad is a wendigo.
• Antebellum: Successful author Veronica finds herself trapped in a horrifying reality and must uncover the mind-bending mystery before it’s too late.
  She would appear to have been time swapped to a slave plantation, which is no place for anyone, let alone Janelle Monae.
• Soul: A musician who has lost his passion for music is transported out of his body and must find his way back with the help of an infant soul learning about herself.
  Looks much more interesting than Onward, in terms of Pixar offerings, tbh.
• Saint Maud: Follows a pious nurse who becomes dangerously obsessed with saving the soul of her dying patient.
  I love movies about dangerously obsessed people. Also: focus on women, directed by a woman!
• Candyman: A “spiritual sequel” to the 1992 horror film ‘Candyman’ that returns to the now-gentrified Chicago neighborhood where the legend began.
  I’ve never seen the original, but I’m excited for this- not least because there are a lot of great names attached to it including Nia DaCosta, Jordan Peele, and Yahya Abdul-Mateen.
• Tenet: An action epic revolving around international espionage, time travel, and evolution. Possibly about a man trying to prevent World War 3 through time travel and rebirth.
  Nolan with an exciting story and packed cast. Come on.
• Last Night in Soho: A young girl, passionate about fashion design, is mysteriously able to enter the 1960s where she encounters her idol, a dazzling wannabe singer. But 1960s London is not what it seems, and time seems to fall apart with shady consequences.
  Edgar Wright is finally back post- Baby Driver, with Thomasin McKenzie (Jojo Rabbit) and Anya Taylor-Joy (Thoroughbreds, The Witch).
• The French Dispatch: A love letter to journalists set in an outpost of an American newspaper in a fictional 20th-century French city that brings to life a collection of stories published in “The French Dispatch” magazine.
  Isle of Dogs really pissed me off so I’d like a good Wes Anderson.
• Benedetta: A 17th-century nun in Italy suffers from disturbing religious and erotic visions. She is assisted by a companion, and the relationship between the two women develops into a romantic love affair.
  Oh look, a psychologically twisted costume/period drama with lesbian overtones. I am predictable.
• The Lodge: A soon-to-be stepmom is snowed in with her fiancé’s two children at a remote holiday village. Just as relations begin to thaw between the trio, some strange and frightening events take place.
  Similarly, I am also a sucker for strange and frightening events.
• Promising Young Woman: A young woman, traumatized by a tragic event in her past, seeks out vengeance against those who cross her path.
  Based on the trailer it looks like she tricks men into thinking they will get to have sex with her extremely inebriated self and then wreaks bloody vengeance. Cathartic. I hope Carey Mulligan doesn’t kill Bo Burnham.
• Nightmare Alley: A corrupt con-man teams up with a psychiatrist to trick people into giving them money.
  I can’t remember if I’ve seen the original 1947 film noir, but regardless I am here for Guillermo del Toro and Cate Blanchett.
• Undine: Undine works as a historian lecturing on Berlin’s urban development. But when the man she loves leaves her, the ancient myth catches up with her. Undine has to kill the man who betrays her and return to the water.
  I love the Undine myth and I would love to be able to turn into a seal. I get few opportunities to live vicariously as a seal. Plus the main actress and director have worked on other projects that I need to get to.
• Deep Water: A well-to-do husband who allows his wife to have affairs in order to avoid a divorce becomes a prime suspect in the disappearance of her lovers.
  After Knives Out, I want to follow Ana de Armas’ work. Especially because this is based on a Patricia Highsmith (Strangers on a Train, The Talented Mr. Ripley, The Price of Salt) story.
• The Last Duel: King Charles VI declares that Knight Jean de Carrouges settle his dispute with his squire by challenging him to a duel.
  Adam Driver, Ben Affleck, and Matt Damon in period French clothes having a duel? What?
• Palm Springs: When carefree Nyles and reluctant maid of honor Sarah have a chance encounter at a Palm Springs wedding, things get complicated as they are unable to escape the venue, themselves, or each other.
  Someone already gave away the twist to this and I’m kind of pissed.
• Mulan: A young Chinese maiden disguises herself as a male warrior in order to save her father. A live-action feature film based on Disney’s ‘Mulan.’
  I’m on the record as being vigorously anti-live-action-remake. But I’m vaguely interested in a Mulan that hews closer to the original legend and incorporates wuxia traditions. And Donnie Yen.
• Mank: Follows screenwriter Herman J. Mankiewicz’s tumultuous development of Orson Welles’ iconic masterpiece Citizen Kane(1941).
  Probably Oscar bait, but could be quite good. I like film history.
• I’m Thinking of Ending Things: An unexpected detour causes a woman who is trying to figure out how to break up with her boyfriend to rethink her life.
  It’s listed as a drama horror thriller and it’s starring Toni Collette and Jessie Buckley. Give it to me.
• Annette: A stand-up comedian and his opera singer wife, have a 2 year old daughter with a surprising gift.
  A musical with Adam Driver and Marion Cotillard.
• Rebecca: A young newlywed finds herself in living in the shadow of her wealthy husband’s previous wife.
  I’m interested to see how far this adaptation is from measuring up to Hitchcock’s.
• Next Goal Wins: Adaptation of the 2014 British soccer documentary which follows Dutch coach Thomas Rongen who attempts the nearly impossible task of turning the American Samoa soccer team from perennial losers into winners.
  Taika Waititi, Elisabeth Moss, and Armie Hammer sounds good to me (especially because AH is in Rebecca and I feel bad).
• Ammonite: 1840s England, an infamous fossil hunter and a young woman sent to convalesce by the sea develop an intense relationship, altering both of their lives forever.
  Saoirse Ronan, Kate Winslet, period drama with lesbian overtones.
• The Hunt: Twelve strangers wake up in a clearing. They don’t know where they are, or how they got there. They don’t know they’ve been chosen – for a very specific purpose – The Hunt.
  Famously controversial film originally slated for 2019. Google it.
• Da 5 Bloods: A group of veterans from the Vietnam War return to the jungle to find their lost innocence.
  Chadwick Boseman and Spike Lee.
• Into the Deep: A Swedish journalist disappears near Copenhagen and is discovered to have been brutally murdered by Danish inventor Peter Madsen aboard his homemade submarine.
  It’s not every day you get a Swedish submarine murder. Oh, and by the way, it’s a documentary.

A Decade of Movies, 2017

2017 was a very good year for me, in term of finding favorites- to the extent that, even after narrowing my list down, I find that I have 14 in the top tier.

They are as follows:

• Call Me By Your Name: Every aspect of this movie is perfect- from the atmosphere to the plot to the chemistry between characters (notably Elio and Armie Hammer and Elio and his father).  I want a pair of vintage-y swim trunks. And maybe a peach.
• It: It Chapter 2 disappointed me a bit, but happily this one stands very well on its own.
• Dunkirk: A stylishly-executed war drama about the evacuation of soldiers from Dunkirk. A few people have criticized the “confusing” pacing of the film, but I found that the manipulation of time serviced the feeling of different types of combat in a really interesting way.
• Baby Driver: The use of diegetic music (music incorporated as part of the plot, rather than disconnected soundtrack) in this really blew me away, particularly during action sequences. Shame about Kevin Spacey, but there’s enough Jon Hamm, Jaime Foxx, and Flea from Red Hot Chili Peppers to provide a good distraction.
• Three Billboards Outside Ebbing, Missouri: I’m struggling not to start every single one of these descriptions with “This is one of my favorites”. Frances McDormand is a queen, the supporting cast is amazing, and I hope Sam Rockwell can break out of playing incapable racists (see also Vice and Jojo Rabbit).
• The Shape of Water: This is almost one of my favorites but it is at the same type so elegantly done that I would be amiss not to include it.  Yes, it is a fish sex movie. Yes, I watched it with someone I was trying to dissuade from his romantic intentions toward me, not realizing the first scene would be bathtub masturbation.  The music is beautiful, the wetly green colors are slimily luscious, the acting is all great. They need to cut out the random musical number. There is some controversy about the disabled marrying literal monsters that is very much worth reading about.
• Coco: Coco is highly predictable, fairly formulaic, and astonishingly beautiful.  yes, clearly if I were to take two films off of this list, they would be Coco and The Shape of Water, but I’m including them, so deal with it.  I can’t stop thinking about the skeleton who is forgotten, I believe his name is Chich. The true star. Along with that beautiful flying tiger animal.
• Phantom Thread: A psychologically twisted costume drama, one of my favorite genres.  For fans of Daniel Day Lewis, couture, Paul Thomas Anderson, and We Have Always Lived in the Castle by Shirley Jackson (you’ll understand).  Also good on a rewatch (I rarely rewatch because there is so much new to see, but this was on a plane).
• The Killing of A Sacred Deer: You may know Yorgos Lanthimos from The Lobster (too weird for me) or, more recently, from The Favorite (a psychologically twisted costume drama for which Olivia Colman won best actress).  The Killing of a Sacred Deer seems less well known than those two and deserves to be more widely seen. It’s disturbing and will put you off spaghetti.
• Hostiles: In 1892 a legendary US Army captain reluctantly agrees to escort a dying Cheyenne chief and his family back to their lands through dangerous territory. Frankly, I really liked this movie and did not find it to be too problematic or too forgiving toward white people in an era when we did a whole lot of bad shit, but it’s been long enough since I saw the film that I am unprepared to thread the needle of an accurate description with adequate historical disclaimers.
• Wind River: We’ve already covered Sicario and Hell or High Water- this is the third and last installment of Taylor Sheridan’s trilogy. In my mind, it is the best of the three and hideously underwatched. It’s cold and bleak and fairly devastating. Jeremy Renner rides a snowmobile.
• Ingrid Goes West: It’s a compulsively watchable dark social media satire about a disturbed Aubrey Plaza who worms her way into the life of an Instagram influencer.
• Thoroughbreds: Unfortunately not about horses. Fortunately about two teen girls who hatch an evil plan.
• Detroit: A fact-based drama set during the 1967 Detroit riots. I put off watching it for a long while after hearing about how absolutely brutal it is to sit through. I wish I hadn’t, because it’s also appallingly necessary viewing.

Honorable Mentions: Get Out, The Wife, Annabelle: Creation, The Breadwinner, BPM, Good Time, Logan Lucky, Mother!, The Big Sick, Mudbound, Beast, and I, Tonya.

I have not yet seen: Okja, You Were Never Really Here, One Cut of the Dead, Tigers are Not Afraid, The Rider, On Body and Soul, A Fantastic Woman, Au Revoir La Haut, November, and Foxtrot.